KINTOKI
Designed by Takuto Ohta
幼少期に河原で拾った寛永通宝をふと思い出した。落ちている硬貨の周りには他にもちらほらと小銭が落ちていて、子供ながらに異質なそれにロマンを感じていた。お金はモノとして特異な存在である。長いものでは50年以上使用されるにも関わらず、社会的な信用でのみで成り立つ空虚な性質を併せ持つ。表面の複雑な彫刻は現代の生産技術の発展を象徴し、時代と共にデザインのマイナーチェンジが繰り返される事で人々の記憶を更新してゆく。それぞれの国独自の価値があり、ほぼ全ての人が関わるプロダクトは他に類を見ない。また日本の硬貨には製造年が刻印されている。その一つ一つから時間と数えきれない人との関わり、様々な感情が想像できる。
Kintoki(金時)は硬貨を溜める空間を有するオブジェクトである。基本的に一度入れた硬貨が取り出せないような作りになっている。その目的は本来貯金箱が担う少しずつ貯める意識や壊す事で取り出すというプロセスとは少し異なる。何かの対価として社会を巡る硬貨の機能を終わらし、溜めるという不合理さを楽しむものである。背徳感の恍惚さとお金に内包された時を噛み締める。そこには何の意味もない。ただ、意味を込めることもできる。噴水やお賽銭の様に。モノとの関係は能動的であればあるほど実感を伴い色付いていく。お金の電子化、社会のシステムの崩落の先でKintokiの中の金属はどのような意味を持つのだろうか?
I suddenly remembered Kanei Tsuho, which I picked up in the riverbank when I was a child. There were other coins around the coins that had fallen, and I felt a romance with them as a child. Money is unique as a thing. Although it has been used for more than 50 years, it has an empty property that can be established only by social credibility. The complex sculptures on the surface symbolize the development of modern production technology, and people's memories are updated by repeating minor design changes with the times. Each country has its own value, and there is no other product that involves almost everyone. The year of manufacture is stamped on Japanese coins. From each of them, you can imagine various emotions, such as time and relationships with countless people.
Kintoki is an object that has a space for collecting coins. Basically, it is designed so that coins once inserted cannot be taken out. The purpose is a little different from the consciousness of saving little by little and the process of taking out by breaking the piggy bank. As a consideration for something, we enjoy the absurdity of ending the function of coins around society and accumulating them. The ecstasy of immorality and the time when it is contained in money are bitten. There is no meaning there. However, it can also be meaningful. Like a fountain or a gift. The more active the relationship with things, the more realistic it becomes and the more it becomes colored. What does the metal in Kintoki mean in the face of the digitization of money and the collapse of social systems?